in:
Wien; Köln; Weimar:
2001
,
291 - 304 S.
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| Einrichtung: | Ariadne | Wien |
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| Verfasst von: | Baldauf, Anette |
| In: | |
| Jahr: | 2001 |
| Sprache: | Deutsch |
| Beschreibung: | |
| In the 70s. feminists furiously burnt their bras in public. In the early 90s, Madonna presented her body, strengthened by weight lifting and strapped in Gaultier's stylized corset; chronically unruly Courtney Love claimed that she invented the "Kinder-whore-style" and called her breasts and nose "well done". the status of the body and style are contested minefields in the war of position between the second and the third wave of feminism: according to traditional historiographies, the former longed for a return to the conspicuously unnatural poses. Following their epistemology, body work and fashion were a "technique of the self", which allowed the subject not so much "to express" but creatively produce herself. With the current generation of girl performers, natural born drag queens who have professionally worked out their femininity seem to populate catwalks and stages, magazines, and stores; their estrogen implodes in super-straight performances as Lolitas and lovelorn girls. this blonde brigade of teen performers is not interested in staging an ironic taken on feminity.... | |
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